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The first of 1997’s volcano disaster movies (the second being Volcano) was arguably the better of the two, but both of them made for passable entertainment with some spectacular special effects to serve as icing on the stale cake. After all, Dante’s Peak doesn’t pretend to be anything more than an updated variation on a whole catalog of disaster movie cliches. Despite all that, it’s reasonably enjoyable. It’s an added bonus that the script is just smart enough to allow Pierce Brosnan and Linda Hamilton to play their roles with straight faces, never condescending to the audience of the formulaic story. He’s a volcano expert from the U.S. Geological Survey, and she’s the mayor of a cozy Washington State town perched beneath a volcano that’s about to blow. Telltale signs are everywhere, so evacuation must be carried out immediately. Of course, not everybody’s eager to leave, and even some of Brosnan’s colleagus think his alarm is premature. This sets the stage for massive ash clouds, rivers of raging mud and molten rock, flattened forests, and death-defying escapes by Brosnan, Hamilton, and some (but not all) of her family, friends, and townsfolk. So what if it’s all pretty flaky… and can a four-wheel-drive vehicle travel over fire and molten lava without bursting its tires? Don’t ask too many qustions, and you’ll find Dante’s Peak to be (if you’ll pardon the pun) a total blast. The Collector’s Edition DVD includes a documentary about volcanoes, Getting Close to the Show, in addition to behind-the-scenes footage, exclusive coverage of the creation of special effects, and audio commentary with director Roger Donaldson. –Jeff Shannon
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This remarkable Academy Award-nominated film by renowned filmmaker Agnieszka Holland (Europa, Europa) tells a compelling story of love and desire during World War II. Middle-aged, lonely farmer Leon (Armin Muller-Stahl, Avalon) rescus the younger Rosa, an upper-class Jewish refugee, as she is fleeing from the Nazis. While he nurses her back to health, their relationship gradually grows more intimate, but disintegrates into a cat-and-mouse power struggle as Leon’s mixed motives in hiding Rosa emerge. One of the boldest Holocaust films ever made, Angry Harvest is a fascinating, multilayered portrait of two flawed people forced to depend on each other as war takes its ultimate toll.
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Free Download Of Behind the Lines Online
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This extraordinary World War I film concerns themes of heroism, sacrifice, duty, and self-knowledge as profound as any in Saving Private Ryan. The story, taken from Pat Barker’s 1991 novel Regeneration and based on tru events, is set in a British Army hospital in Craiglockart, Scotland, in 1917. There, a pioneering psychiatrist named Dr. William Rivers (Jonathan Pryce) works with shell-shocked soldiers in a gentle, humane manner that contrasts sharply with the brutality of his colleagus. (The film’s most horrifying scene features a mute patient being forced to speak by means of electric shock.)
Among Rivers’s patients is a mute, amnesiac officer named Billy Prior (Jonny Lee Miller), as well as the emotionally depleted poet Wilfred Owen (Stuart Bunce) and another poet and war hero, Siegfried Sassoon (James Wilby). Unlike the others, Sassoon is not, in fact, suffering from any disorder but is being quietly punished for writing a pamphlet denouncing the war. The army hopes Rivers can find some basis for mental incompetency in Sassoon, but the thoughtful doctor instead attempts to persuade him to add legitimacy to his criticisms of the war by returning to active duty.
Pryce brilliantly captures the cumulative effects of Rivers’s responsibility–of fixing men and sending them back to their possible deaths–on the good doctor’s nerves. Wilby is also fine as Sassoon, but the film belongs just as much to actors Miller and Bunce, whose characters are different kinds of men struggling to find their balance, one through a revived sense of duty and the other through his writing. Scottish filmmaker Gillies Mackinnon (The Playboys) is at the top of his form, telling a uniqu story about the invisible wounds of war while shedding light on the meeting of two visionary poets and one visionary physician. –Tom Keogh
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Jessica Alba, Chris Evans and Michael Chiklis head a sexy, star-powered cast in this explosive adventure about a quartet of flawed, ordinary human beings who suddenly find themselves with extraordinary abilities.
After exposure to cosmic radiation, four astronauts become the most remarkable, if dysfunctional, superheroes of all time. Unfortunately, the mission’s sponsor has also been transformed ? into the world’s most lethal supervillain ? setting the stage for a confrontation of epic proportions. Packed with nonstop action, big laughs and awesome special effects, Fantastic 4 is “powerful fun” (The Baltimore Sun) from start to finish!
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Watch A Dog’s Breakfast Online!
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Interview with the director of A Dog’s Breakfast, David Hewlett
Tell us about your background and how it prepared you for the making of this film.
I have been making films from the other side of the camera (as an actor) since I was 14. My friends and I used to spend our entire summer vacations causing chaos running around Toronto, Canada armed with an 8mm Cine film camera making short films. They were entirely self-funded and we would beg, borrow or steal equipment, locations and post-production time to get them finished. They were the best “vacations” I ever had. Those experiences were the reason I became a professional actor. Being on Stargate Atlantis has afforded me the time and the money to try to relive those fantastic experiences. This time with me at the helm!
What or who was your inspiration for writing and directing “A Dog’s Breakfast”?
My biggest influnces for the script were “A Fish Called Wanda”, “Fawlty Towers” and the original “Pink Panther”. In order to stand out and get noticed, many first time filmmakers go to extreme lengths to be dark, twisted and edgy. Rather than trying to shock people into taking notice of my work, I just wanted to make people laugh. I wanted it to be enjoyably silly. I really liked the idea of all the different aged members of a family being able to sit together and share a giggle. Making those early short films with my friends was the biggest inspiration. But, I also read a lot of books and watched a lot of DVDs in preparation for “A Dog’s Breakfast”. “Garden State” was a fantastic first film by another actor-turned-director (Zach Braff) that really inspired us to get on with making our own movie. Robert Rodriguz was another huge inspiration. Here is someone who just went out there and made a movie, all on his own. His book “Rebel Without A Crew” is like a road-map to your first film and made it sound so do-able. He had to sell himself for medical research to get the money to fund his work. I just have to save the universe, on Stargate Atlantis. I didn’t think we had any excuse not to spend our hiatus making “A Dog’s Breakfast”.
Is this the first project in which you’ve starred and directed? How was that experience?
This was the first time I’d ever done two of the three jobs I ended up with on “A Dog’s Breakfast”! Directing was completely new to me and it was the skill-set I was most worried about. I have done a fair amount of writing over the years, but this was the first complete script to make it to camera. And then on top of that the fact that I’m actually acting in just about every scene as well — I don’t know what I was thinking! Well, actually I do. It was two less people to feed and schedule around! I would definitely re-think trying to do them all simultaneously again. I kept forgetting to call ‘action’ or remembered and then forgot my lines, I was a mess! That said, once I got into the swing of it, writing and directing was a dream come tru! I was finally able to take part in every aspect of filmmaking. I’d been privy to aspects of it over the years, but seeing a film through from conception to release and even dabbling in the marketing side of things was incredible. I can’t wait to do it again! I’m half way through the script for the next project which I’m hoping to have someone else pay for this time! Over 20 years later and I’m still making films during my holidays, and they’re still the best “vacations” I could wish for!
You chose to cast several cast mates from Stargate:Atlantis and Stargate SG-1 in your film (your sister Kate, Paul McGillion, Christopher Judge, Rachel Luttrell). What prompted the decision and were you worried it may mislead people about the content of the film (thinking it was sci-fi or associated with Stargate)?
I just worked with my friends and family, it’s always worked for me in the past. I know how tough it can be for first time directors and I wanted to surround myself with top-notch and supportive talent. I’d be crazy not to take advantage of those connections! One of the reasons we chose to make Ryan a “sci-fi” actor was to be able to give a little nod to the Stargate fans with his “Starcrossed” clips. So far “A Dog’s Breakfast” hasn’t been mistaken for a sci-fi movie, so I think we’re good, there. The reality is that I knew Stargate audiences were going to be interested in the project so I tried to make a humorous film that would appeal to them. But people outside of the sci-fi world are also enjoying this movie, and it’s certainly not exclusively for Stargate fans. If you own a dog you’re going to like this as you’re in what I call our “Pet-Nerd” audience. That said, the film (and even more so the DVD) certainly has a few giggles that will appeal to those “in the know”.
What about the DVD: will there be any extras that you can tell us about?
I can’t wait to see the response to the DVD! We’ve complied a ton of extras that adds a whole new level to the film. We’ve got a number of “deleted scenes” that are really funny, but just had to go in order keep the running time down. I really miss them, and I’m so glad that now they’ll see the light of day. The big seller to me is what Jane has done with the Behind-the-Scenes. Jane Loughman is “A Dog’s Breakfast” producer and her background was producing at E! and for Entertaiment Tonight. She’s used all those skills to put together a series of mini-documentaries that are so much fun! One of the things that I hate on many DVD’s are these repurposed marketing pieces that are dumped on the DVD. You end up having to watch half the film again! We set out from the beginning to have these designed specifically for the DVD and it really shows. This is the kind of DVD that I would buy for the extras!
What do you want your audience to get out of this movie?
I love to make people laugh. I suppose it’s the product of being the eldest and only boy in a family of 5 sisters, I’m just desperate for that kind of attention! I made this movie as pure silly entertainment. I wanted to make a new, old-fashioned comedy and I really hope that’s how people see it. One of the most rewarding things that happens with “A Dog’s Breakfast” is people like it enough to want to quote my own film back to me! That’s the kind of response I like to see, because that’s how I am about the movies I love.
The big climax, how did you film that?
Very carefully! Jane is such a stickler for detail and she made me re-write that ending section a number of times. She was adamant that there be no “cheats” — no holes where people could qustion the timeline and people’s motives. When it came to actually shooting it, I was so strapped for time. As it turned out the necessity to jump around with the shots in order to preserve make-up and costumes etc. made it a lot more dynamic than it would have been had I been given all the time I needed. I just wanted a nice spooky reveal that was “tainted” by Patrick’s confused and paranoid state-of-mind. I like to think of it as my David Lynch “Murder She Wrote” episode.
What are your favorite movies? What DVDs do you have on your shelf at home?
Wow! There are loads, but here are a few faves, off the top of my head… “A Fish Called Wanda” “Withnail and I” Blake Edward’s “The Pink Panther”, “A Shot in the Dark” Robert Rodriguz’s “El Mariachi”, “Desperado”, “Sin City” The “Evil Dead” trilogy “Mad Max 2, The Road Warrior” “Garden State” Anything with Buster Keaton, Harold Lloyd or Charlie Chaplin in it! “Arsenic and Old Lace” “Sid and Nancy” “Fitzcarraldo” “Blade Runner” Danny Boyle’s “Shallow Grave”, “28 days later”, “Trainspotting”, “Millions” “Eternal Sunshine of a Spotless Mind” “Breakfast at Tiffany’s” Steven Soderbergh’s “Out of Sight”, “Solaris”… and just about anything he gets up to!
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Charm City
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Charm City explores the loyalty and friendship of three men from Baltimore. Jay, Rodney, and Sean have all survived the mean streets of the inner-city while striving for better lives by leaving their criminal activities behind. As a step toward a brighter future, the trio now owns a popular nightclub. When the city threatens to put them out of business, the long-time friends revert back to their old ways
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An outstanding drama, Gallipoli resonates with sadness long after you have seen it. Set during World War I, this brutally honest antiwar movie was cowritten by director Peter Weir. Mark Lee and a sinfully handsome Mel Gibson are young, idealistic best friends who put aside their hopes and dreams when they join the war effort. This character study follows them as they enlist and are sent to Gallipoli to fight the Turks. The first half of the film is devoted to their lives and their strong friendship. The second half details the doomed war efforts of the Aussies, who are no match for the powerful and aggressive Turkish army. Because the script pulls us into their lives and forces us to care for these young men, we are devastated by their fate. –Rochelle O’Gorman
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Horror 101: Josh Urich and Bo Derek star in this shocker about a college psychology course that delves into the minds of serial killers. But when students begin disappearing one by one, a psychopath who exploits their darkest fears may be on the loose. Class is now in session… and the final exam is going to be a killer. Horror 102: It was once a notorious mental hosital, shut down for its mysterious patient disappearances and horrific therapy methods. But when a group of students on a field trip is locked inside the former asylun, they get a crash course in paranoiaa, psychosis and grisly murder. Tonight the game begins again. And this time, winner kills all! Museum of the Dead: One night per year, it opens its doors to exhibit a collection of cursed artifacts. But something hideous is roaming these halls, feasting on the flesh of the innocent. A cannibalistic horror is alive. The hunger is spreading. And the only escape is through the hordes of the damned.
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AMERICAN BEAUTY: Noted theater director Sam Mendes, who was responsible for the acclaimed 1998 revival of Cabaret and Nicole Kidman’s turn in The Blu Room, made his motion picture debut with this film about the dark side of an American family, and about the nature and price of beauty in a culture obsessed with outward appearances. Kevin Spacey plays Lester Burnham, a man in his mid-40s going through an intense midlife crisis; he’s grown cynical and is convinced that he has no reason to go on. Lester’s relationship with his wife Carolyn (Annette Bening) is not a warm one; while on the surface Carolyn strives to present the image that she’s in full control of her life, inside she feels empty and desperate. Their teenage daughter Jane (Thora Birch) is constantly depressed, lacking in self-esteem, and convinced that she’s unattractive. Her problems aren’t helped by her best friend Angela (Mena Suvari), an aspiring model who is quite beautiful and believes that that alone makes her a worthwhile person. Jane isn’t the only one who has noticed that Angela is attractive: Lester has fallen into uncontrollable lust for her, and she becomes part of his drastic plan to change his body and change his life. Meanwhile, next door, Colonel Fitts (Chris Cooper) has spent a lifetime in the Marine Corps and can understand and tolerate no other way of life, which makes life difficult for his son Ricky (Wes Bentley), an aspiring filmmaker and part-time drug dealer who is obsessed with beauty, wherever and whatever it may be. THE VIRGIN SUICIDES: A dark comedy punctuated by moments of drama, The Virgin Suicides explores the emotional underpinnings of a family starting to come apart at the seams in 1970’s Midwestern America. The Lisbons seem like an ordinary enough family; Father (James Woods) teaches math at a high school in Michigan, Mother (Kathleen Turner) has a strong religious faith, and they have five teenage daughters, ranging from 13-year-old Cecilia (Hannah Hall) to 17-year-old Therese (Leslie Hayman). However, the Lisbon family’s sense of normalcy is shattered when Cecilia falls into a deep depression and attempts suicide. The family is shaken and Mother and Father seek the advice of psychiatrist Dr. Hornicker (Danny DeVito), who suggests the girls should be allowed to socialize more with boys. However, boys soon become a serious problem for Cecilia’s sister Lux (Kirsten Dunst). Lux has attracted the eye of a high-school Romeo named Trip (Josh Hartnett), who assures Father of his good intentions. But Cecilia finally makes good on her decision to kill herself, throwing the Lisbons into a panic; and after attending a school dance, Trip seduces and then abandons Lux. The Lisbons pull their daughters out of school, as an emotionally frayed Mother keeps close watch over them. Meanwhile, Lux continus to attract the attentions of the local boys, and she responds with a series of clandestine sexual episodes with random partners as often as she can sneak out of the house. The debut feature from Sofia Coppola (whose father, Francis Ford Coppola, co-produced this film), The Virgin Suicides also features supporting performances from Scott Glenn and Giovanni Ribisi. The film was shown as part of the Directors Fortnight series as the 1999 Cannes Film Festival.
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Daylight [HD DVD]
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Brace yourself for nonstop action and suspense! Sylvester Stallone races against time to lead a group of stranded commuters out of a collapsed tunnel 100 feet below the Hudson River, in director Rob Cohen’s (The Fast and the Furious, XXX) Daylight. When an explosion seals off a commuter tunnel, the survivors are faced with toxic fumes, fires and the impending collapse of the tunnel. Their only hope lies in the hands of Kit Latura (Stallone), a former Emergency Medical Services chief who is haunted by a tragic past. As the walls cave in and the tunnel fills up with water, Latura risks his own life to save others and prevent the disaster from escalating into an even greater catastrophe. Amy Brenneman co-stars in this thrilling adventure. Filled with spectacular special effects and heart-pounding intensity, Daylight will have you holding your breath from start to finish.
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